Did y'all know that there's a musical version of Dr. Jekyll and Mr. Hyde starring David Hasselhoff and can be found on YouTube (link here)? Well there is and it's as ridiculous as you think it is. Go check it out if you want to spend two and a half hours of your time watching a man angst about his life and commit murder while drinking a special potion that makes him look like something out of the uncanny valley (at least that's the impression the book gives).
If you'd rather watch the twenty-two minute summary from Musical Hell on YouTube, you're welcome to do that instead.
What I find interesting about this version of Dr. Jekyll and Mr. Hyde isn't it's misstep in stunt casting, but how far it deviates from the original source material.
The Strange Case of Dr. Jekyll and Mr. Hyde is a compact novella by Robert Louis Stevenson. The same guy who famously wrote Treasure Island. Mr. Stevenson is probably one of my favorite late Victorian writers (along with Stoker, Carroll and Doyle). His prose are, for the most part, are easy to read for modern audiences. The one exception I'm familiar with is the short story "Thrawn Janet", which is written entirely in Scots. (I internally screamed the entire time I tried to read this one.)
Most people know of Stevenson's work. Treasure Island has had many adaptations and The Strange Case of Dr. Jekyll and Mr. Hyde has become well intertwined with horror pop culture. My first introduction to both stories was through children's media. The Muppets did fantastic adaptation of Treasure Island, while Scooby and the Gang met Jekyll and Hyde in the episode "Nowhere to Hyde". Interestingly enough, The Scooby Doo episode is actually somewhat closer to the original mechanics and motivations of the story than that musical adaptation I mentioned at the start of this post.
Don't believe me?
I could tell you to read the book, but that takes a lot more time than you probably want to spend (though you should read the book because it is excellent). Instead, you can watch the wonderfully sarcastic summary by Overly Sarcastic Productions on YouTube (click here).
Yes, the big twist at the end has been spoiled by pop culture. However, that's not what makes the book so interesting. It's the suspense. We know Hyde is bad news, but what evil will he do next? Will he ever be caught? And will Dr. Jekyll put an end to Hyde for good?
It's also a little more complicated than a split personality (or Dissociative Identity Disorder as is the mental illness's proper name).
However, this fore knowledge of the main twist somewhat necessitates the changes to the plot. Most people know going in what the connection between Jekyll and Hyde is (I'm not going to outright type it out because you might be the 0.0001% of my readers who aren't familiar with the story). So, adaptions need to keep the audience interested in the story another way.
Insert the love interest(s).
The original novella has very few female characters. The two most important are a little girl and a maid - neither of these characters have a name.
Thus adaptations love to add a lady or two - usually as a love interest (or two) - to add some drama to the plot. This has been done in a lot of movie adaptations, the previously mentioned hilarious musical, and some cartoon adaptations. The Scooby Doo episode included a maid character who is a suspect in the mystery. In Alvin and the Chipmunks Meet the Wolfman, their school is putting on a stage version of the story that includes a love interest.
These love dramas are not in the original story at all. The main drama starts out as a mystery that eventually leads to the questioning of human nature. The question drifts from who Mr. Hyde is and becomes what makes a person evil and can that part be carved out. Dr. Jekyll struggles with personal issues (that are left incredibly vague in the novella).
I find that most adaptations drift from this theme to focus more on the added love drama. Which is a shame because the original theme is much more interesting.
Recently, I read a graphic novel adaptation of Stevenson's novella. Klimowski and Schejbal collaborated to create hauntingly beautiful drawings (which is the reason I brought the book in the first place). It's an extremely faithful adaptation, including characters who are typically left out such as Mr. Enfield and Dr. Lanyon. It even has one of my favorite lines ("if he be Mr. Hyde, then I shall be Mr. Seek"). However, the novella in its original state doesn't seem to take well to a visual adaptation and the narrative felt a little too streamlined.
They also made (in my opinion) the mistake of showing Dr. Jekyll's struggles...and they aren't all that shocking.
Okay, they're shocking by Victorian standards (maybe). But one of the most creepy aspects of Stevenson's original work is how vague he is about the evil being committed. The author leaves it up to the reader to fill in the gaps and that makes for a more interesting experience while reading the text.
The graphic novel decided to just show their readers this "evil" and I didn't find it all that "evil". If they had left it vague, my imagination would have definitely come up with something a lot worse (especially with the creepy charcoal drawings to go off of). Instead they chose something pretty generic - even for the Victorian standards of the time.
Which brings me back to why any adaptations of this novella need to have some narrative changes to keep the reader interested. The Strange Case of Dr. Jekyll and Mr. Hyde is a very internally driven narrative. It's a fight between the good and evil within a person rather than an external one. Any visual medium has to add an external drama element to draw out the story.
The original novella on its own is really good and I do recommend y'all check it out if you haven't yet. If you have read the novella, let me know what you think of it. Also let me know if you enjoyed Mr. Hasselhoff on Broadway. I can assure you that I was entertained.
If you enjoyed this post (or it really pissed you off) please like, share, and/or leave a comment. I love hearing from my readers and I hope y'all like hearing from me.
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