Happy first day of fall! I’m looking forward to crisp weather, apple cider, and pumpkin spice everything! It’s also the oficial start to spooky season - August is too early corporate America!
Now that all my excitement and exclamation points are out of the way. I want to tell you about my first spooky book of the season. Well, I guess I really read it in August (it takes place in the summer so it’s fine), but it is a good creepy read for anytime of year. That book is Witchcraft for Wayward Girls by Grady Hendrix.
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| Let’s be real, I picked up this book because of the cool cover art. |
Hendrix is primarily known for being a comedy horror writer. His first book (and the first one I read earlier this year), Horrorstör, is about a group of coworkers spending the night in a knock-off IKEA with ghosts and it volleys between horrifying and hilarious. I enjoyed it, though I felt the ending didn’t hit it out of the park (plus a case of too many characters).
An interesting fact about Hendrix’s books, many of them are written with the main point of view character being women. Hendrix is a guy. So when I saw he had written a horror story about pregnant girls in the South, pre Rowe v. Wade, practicing witchcraft, I was a little skeptical.
But Hendrix knocks it out of the park. He doesn’t shy away from the horrible ways these girls are mentally and physically mistreated. He graphically describes giving birth in the 1970s. And this is the none supernatural parts of the book.
In fact, witchcraft doesn't show up for the first 100 pages of the book. It’s a slow burn of real life historical horror that then gets ramped up by creepy witches.
Part of why I think Hendrix was able to pull off this story was because at least two of his relatives were put into these homes to have babies because they were “unwed” mothers. These babies were then spirited away to (most likely) never have contact with their birth mother ever again - regardless of what the mother wanted.
Sometimes, young children were just straight up kidnapped from their mothers under false promises of government help. Georgia Tann was a famous social worker who kidnapped over 5,000 children in Tennessee and sold them to adoption agencies for a fee. This practice still goes on, especially in poor communities around the world. Mothers will think that they are sending their child to a “school” or “government program” only to have their child disappear and end up with an adopted family. This is why it can be difficult and expensive to adopt children period.
Side note: the American foster system is overflowing with kids who need loving families to look after them. Though many may not be up for adoption, they still need a safe place to call home.
Hendrix makes sure to include some of his research at the end of the book. He includes stats (where they can be found) and notes that these places the girls were disappeared to largely disappeared after Rowe v. Wade was decided.
I do have to wonder if these homes will start to pop up again in the wake of the Dobbs decision.
Hendrix captured the horror, heartache, and trauma that these girls were put through. All of the blame was put on these girls. They are stripped of their names, hometowns, and autonomy. Their stories include the fathers of their children, but the home won’t let them speak of their “real” lives, so only the girls are at fault. And as soon as they were no longer pregnant, things could “go back to normal.”
Except for one girl, a 14 year old who became pregnant by an authority figure in her life. In the book, the 14 year old’s baby is going to be adopted by that authority figure and neither will ever escape him.
That’s why they turn to witchcraft.
The supernatural gives them power that they’d never had even before they were stripped of their identities. But this power comes at a cost. The cost is painful and must equal in proportion of the power being summoned. Once a spell is started, it must be finished or there will be dire consequences.
Earlier this year, I read Stepford Wives and The Movement. Like Witchcraft for Wayward Girls, Stepford Wives was written by a man and told from the perspective of a woman/girl. The Movement is a nonfiction “oral” history (transcripts of interviews) of ten years of the Women’s Liberation Movement in the 1960s and 1970s and provided cultural context for the other two fiction books. It is interesting how well the two men were able to portray horror that primarily affects women through research and empathy.
That doesn’t mean The Stepford Wives nor Witchcraft for Wayward Girls are perfect books. I may have given both five stars on GoodReads (yes, I use it to track my books and get tons of free ones), doesn’t mean I can’t see some flaws. However, don’t let that stop you from checking them out.
Who is a witchcraft for Wayward Girls for? Everyone.
Who maybe should skip this book? I’d say people who have had trauma around childbirth, pregnancy, and/or sexual assault.
What should you know before reading? It’s a slow burn with much more real world horror over the supernatural. It’s a creepy book with a bitter sweet ending.
Do I recommend Witchcraft for Wayward Girls? Yes, it’s a good story about a time in history that is often swept under the rug in hopes that no one would notice the lumps.
Have you read Witchcraft for Wayward Girls? Let me know in the comments what you thought about it.
If you enjoyed this post (or it really pissed you off) please like, share, and/or leave a comment. I love hearing from my readers and I hope y’all like hearing from me.
Until next week.
